
“When fishes flew and forests walked
And figs grew upon thorn,
Some moment when the moon was blood
Then surely I was born.”
Four lines, simply describing the ungilded, unremarkable, dastardly start of life. Though the first line speaks to the growing and beauty of the scene, there is nothing pretty or memorable about this birth, this first breath. We might make assumptions … poverty, physical disfigurement, flaws, a lacking of gifts.
With monstrous head and sickening cry
And ears like errant wings,
The devil’s walking parody
On all four-footed things.
The negative descriptives of the narrator’s self-debasement continue … what an image is drawn for the reader! He/she is ugly, unappealing and something to stay away from, like the devil himself … but unable even to cast a spell. Oh, how we have all had such thoughts of our self. Self-deprecating thoughts as we stare into a mirror, as we speak and our words seem to echo in our heads, while those around were immune to their sounds.
Wait! A hint is given … this is not human, this is a creature on four feet.
The tattered outlaw of the earth,
Of ancient crooked will;
Starve, scourge, deride me:
I am dumb, I keep my secret still.
An outlaw! This four-legged creature is despised by society, since the beginning of time. Not the first to be fed (perhaps speaking of more than just nutrition), whipped, ridiculed. This being has been told, been shown how lowly it is … since it’s very beginning. It knows that it. is. nothing … nothing of value. to anyone.
BUT … though it knows it is senseless, unintelligent, even speechless
it has a secret!
Fools! For I also had my hour;
One far fierce hour and sweet:
There was a shout about my ears,
And palms before my feet.
An hour. One hour changed this creature forever. It recalls the noise about him, the soft feel of the fresh palms under his hooves.
The secret is revealed! The scales that had blinded this creature to the reality of it’s strength, it’s grand purpose … have fallen away. As Newton learned, also through ugly reality, this creature learned too that though it was once blind, it now can see.
A one hour ride through the city, redeemed this creature, this jackass.
*Though G. K. Chesterton never mentions the one who rode upon the back of this donkey, though Jerusalem is never whispered, both are shouted in the inner transformation of the narrative voice of the donkey. Perhaps, Chesterton knew, as we all do … deep down in our tattered outlaw hearts, that we all begin as a lowly, despised donkeys in need of one hour with our Savior.
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